Romantic notions of creativity now
نویسندگان
چکیده
This article takes its point of departure from Paul de Man’s observation that ‘whenever romantic attitudes are implicitly or explicitly under discussion, a certain heightening tone place, an increase polemical tensions develops, as if something immediate concern to all were at stake’ (1993, p. 3). Note the way scholars feel repeatedly called upon deflate possibility given poem was product sudden transport, by pointing textual and biographical evidence it ‘extensively’ revised. The frequency this critical gesture suggests there is in ideas like ‘spontaneous overflow’ (Wordsworth, 1800/1957, para. 6) poetry coming ‘as naturally leaves tree’ (Keats, 1966, 46) refusing go away. turns Work Revision (2013), Hannah Sullivan’s recent historicisation practice, suggest revision not only less valued Romantics, but seems have been practised them well for range reasons, including technological ones do with general unavailability proofs high cost paper. On other hand, contemporary poets’ interview comments often far more performative than our common equation between controlling rationality would seem indicate. ‘Poetry now’ may be much closer ‘poetry then’ we assume. A concluding discussion Jacques Rancière’s rejection concepts modernism postmodernism, favour periodisation locates present-day aesthetic judgements within practices traced Kant, Schiller Coleridge, underlines contention.
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ژورنال
عنوان ژورنال: Text
سال: 2021
ISSN: ['1327-9556']
DOI: https://doi.org/10.52086/001c.30988